Inoue is interested in the unique characteristics of different regions and the people who live there. She uses local materials and basic techniques such as weaving, tying, and sewing to create installations that evoke the invisible connections and landscapes that surround us. Her work for this exhibition focuses on Mt. Hakusan—which has long been the center of mountain worship in the Hokuriku region and elsewhere in Japan—and worship surrounding Mikumari no Kami (“water-dividing kami”), the god of water who became one with a mountain. She uses local thread and fibers to create a large-scale piece that traces the flow of water from the top of the drainage divide, down the slopes of the mountain, and into the earth and bodies of water like the ocean.