Artist
Konoike Tomoko
From Takamatsu to Echizen Leather Black Kite. 2022. Cowhide, mixed media. Installation view from The Birth of Seeing, Takamatsu Art Museum. H. 600, W. 1,200 cm.
Musashino Black Kite. 2021. Cowhide, mixed media. Installation view from the Kadokawa Culture Museum. H. 1,000, W. 2,400 cm.
Musashino Black Kite. 2021. Cowhide, mixed media. Installation view from the Kadokawa Culture Museum. H. 1,000, W. 2,400 cm.
Photo: Tomoko Konoike.
Photo: Tomoko Konoike.
Courtesy of Kadokawa Culture Museum.
Photo: Tomoko Konoike.
Courtesy of Kadokawa Culture Museum.
Konoike continues to address fundamental questions about art through mediums such as painting, sculpture, cinematography, animation, and narrative. In recent years, her works have incorporated new methods inspired by the people, languages, natural environments, and wildlife that she encounters in her travels. Her work for this exhibition, From Takamatsu to Echizen Leather Black Kite, was created by sewing together split leather from cowhides. Exposed to the elements, left bare to the ravages of the sun and the rain, the work explores questions surrounding the relationship between materials and crafts and the fundamental question of what it means to live in this region.
Profile
Konoike Tomoko
Konoike continues to explore fundamental questions about art through various mediums and site-specific installations. In 2016, she received an Art Encouragement Prize from the Minister of Education for her solo exhibition Primordial Violence (Museum of Modern Art, Gunma), followed by a Mainichi Art Award in 2020 for Flip (Artizon Museum, Tokyo). Her solo exhibitions also include Fur Story (Leeds Arts University, England, 2018), Hunter Gatherer (Akita Museum of Modern Art, 2018), and The Birth of Seeing (Takamatsu Art Museum and the Shizuoka Prefectural Museum of Art, 2022). Her work can be seen at Oshima as part of the Setouchi Triennale.